https://oliviarodehvass.com oliviarodehvass.com Sat, 20 Jun 2026 18:34:49 +0000 https://oliviarodehvass.com en https://oliviarodehvass.com/Home-Image-Scroll Sun, 27 Aug 2023 09:26:20 +0000 oliviarodehvass.com https://oliviarodehvass.com/Home-Image-Scroll <img width="1734" height="2121" width_o="1734" height_o="2121" data-src="https://freight.cargo.site/t/original/i/5d9624a5f10c27bbcb54f60c1c7bee862d9559258025e43e81377f9040d0d9a8/ECO-FAN_Tranen_023_Photo-by-David-Stjernholm-copy.jpg" data-mid="219836453" border="0" src="https://freight.cargo.site/w/1000/i/5d9624a5f10c27bbcb54f60c1c7bee862d9559258025e43e81377f9040d0d9a8/ECO-FAN_Tranen_023_Photo-by-David-Stjernholm-copy.jpg" /> https://oliviarodehvass.com/WORK Tue, 29 Aug 2023 16:55:36 +0000 oliviarodehvass.com https://oliviarodehvass.com/WORK WORK SELECTED EXHIBITIONS / WORKPath of Desire ← 2026, Permanent sculpture - Deep Forest Art Land, DK <img width="5258" height="7552" width_o="5258" height_o="7552" data-src="https://freight.cargo.site/t/original/i/41c5c6f2e4b5be240814a9280e3cc5d11ee3b0ceeaac45b43b4d903917910d4d/_OML8916.jpg" data-mid="251383726" border="0" src="https://freight.cargo.site/w/1000/i/41c5c6f2e4b5be240814a9280e3cc5d11ee3b0ceeaac45b43b4d903917910d4d/_OML8916.jpg" /> She listens but she can’t speak&nbsp; ← 2026, Installation - Group Exhibition, Museum of Contemporary Art, Roskilde, DK <img width="6336" height="9504" width_o="6336" height_o="9504" data-src="https://freight.cargo.site/t/original/i/3ceaf91239fcabaad2789461e89439a741384deae5cc1dbc1e2fd3231a988638/David-Stjernholm_ET0F991-copy1.jpg" data-mid="250137285" border="0" src="https://freight.cargo.site/w/1000/i/3ceaf91239fcabaad2789461e89439a741384deae5cc1dbc1e2fd3231a988638/David-Stjernholm_ET0F991-copy1.jpg" /> HUNT(ED) ← 2025, Solo Exhibition, Capsules at Luxembourg Art Week, Luxembourg, LX <img width="2363" height="3543" width_o="2363" height_o="3543" data-src="https://freight.cargo.site/t/original/i/f8cc5f566e3e50645d7328e2ffac0e3ce6ea13a2ce2be209b53e923da27486a7/OliviaRodeHvassPattyNeu-6315.jpg" data-mid="244329829" border="0" src="https://freight.cargo.site/w/1000/i/f8cc5f566e3e50645d7328e2ffac0e3ce6ea13a2ce2be209b53e923da27486a7/OliviaRodeHvassPattyNeu-6315.jpg" /> Memory Drip ← 2025, Solo Exhibition, Four Boxes Gallery, Skive, DK <img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/4667bebdc6e64426e81cdeada9d8acbab6c4e3a6b209bbedaf834e66f3b1dff1/IMG_0360.jpg" data-mid="244104792" border="0" src="https://freight.cargo.site/w/1000/i/4667bebdc6e64426e81cdeada9d8acbab6c4e3a6b209bbedaf834e66f3b1dff1/IMG_0360.jpg" /> Under the weaver’s hands ← 2025, Group Exhibition, Kunsthalle Trier, Trier, DE <img width="2742" height="3429" width_o="2742" height_o="3429" data-src="https://freight.cargo.site/t/original/i/e4f1afeb06ce13218fafdd70e5ac910f10b0e738d8258e5e5ce9cb55ef097893/1.png" data-mid="244104779" border="0" src="https://freight.cargo.site/w/1000/i/e4f1afeb06ce13218fafdd70e5ac910f10b0e738d8258e5e5ce9cb55ef097893/1.png" /> Void Charm ← 2024, Solo Exhibition, RUM46, Aarhus, DK <img width="7670" height="5116" width_o="7670" height_o="5116" data-src="https://freight.cargo.site/t/original/i/1020f6c3e993a095c32227c6066b47c0d8914b4fe07a1021128e1af306e78bd7/1_Olivia-Rode-Hvass-Void-Charm_jpg-full_photo-by-Brian-Kure-min.jpg" data-mid="244104814" border="0" src="https://freight.cargo.site/w/1000/i/1020f6c3e993a095c32227c6066b47c0d8914b4fe07a1021128e1af306e78bd7/1_Olivia-Rode-Hvass-Void-Charm_jpg-full_photo-by-Brian-Kure-min.jpg" /> Hestens fortællinger&nbsp; &nbsp;← 2024, Group Exhibition, Rønnebæksholm, Næstved, DK <img width="2400" height="1668" width_o="2400" height_o="1668" data-src="https://freight.cargo.site/t/original/i/b98a1f737d8bd6539023ff3fa147c8b559bd37534eca761fa031bd1d6b05f760/140A2077.jpg" data-mid="244104767" border="0" src="https://freight.cargo.site/w/1000/i/b98a1f737d8bd6539023ff3fa147c8b559bd37534eca761fa031bd1d6b05f760/140A2077.jpg" /> ECO-FAN ← 2024, Group Exhibition, Tranen, Gentofte, DK <img width="5801" height="7385" width_o="5801" height_o="7385" data-src="https://freight.cargo.site/t/original/i/73d4aa1481a00095d13760a7b8278e3b05f8a69e2bf78496e4a0bb50c7806adf/1PRIO_ECO-FAN_Tranen_023_Photo-by-David-Stjernholm2.jpg" data-mid="240435636" border="0" src="https://freight.cargo.site/w/1000/i/73d4aa1481a00095d13760a7b8278e3b05f8a69e2bf78496e4a0bb50c7806adf/1PRIO_ECO-FAN_Tranen_023_Photo-by-David-Stjernholm2.jpg" /> Sticks on Fire, Hands in Bloom ← 2023, Solo Exhibition, 00.00, Seoungbuk-gu, Seoul, SK <img width="8736" height="11648" width_o="8736" height_o="11648" data-src="https://freight.cargo.site/t/original/i/a94bde53a1dee4a6c994f8111f4d2905b9a4b466dff4a5124051fb12c4358f9c/30_1124_Sticksonfire_Olivia_9896-min.jpg" data-mid="244104759" border="0" src="https://freight.cargo.site/w/1000/i/a94bde53a1dee4a6c994f8111f4d2905b9a4b466dff4a5124051fb12c4358f9c/30_1124_Sticksonfire_Olivia_9896-min.jpg" /> In between grains of sand(salt) ← 2023, Group Exhibition, WilsonSaplana Gallery (GAS9), Copenhagen, DK<img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/69e717f66f24c6b01bd586c3ee564f8d055ad51239cd4ac56706042fe2262390/13_GAS9_Group_Group-Between-Grains-of-SandSalt_jpg-small.jpg" data-mid="244329534" border="0" src="https://freight.cargo.site/w/1000/i/69e717f66f24c6b01bd586c3ee564f8d055ad51239cd4ac56706042fe2262390/13_GAS9_Group_Group-Between-Grains-of-SandSalt_jpg-small.jpg" /> Skattejagt ←2023, Group Exhibition, Sydhavn St., Copenhagen, DK <img width="4230" height="5287" width_o="4230" height_o="5287" data-src="https://freight.cargo.site/t/original/i/9160c1ae89b258c54e9c72c245e7490606747d67656a427687c57c0a4efebf10/3-Olivia-Rode-Hvass--Fools-Abode--foto-Mikkel-Kaldal.jpg" data-mid="189209836" border="0" src="https://freight.cargo.site/w/1000/i/9160c1ae89b258c54e9c72c245e7490606747d67656a427687c57c0a4efebf10/3-Olivia-Rode-Hvass--Fools-Abode--foto-Mikkel-Kaldal.jpg" /> SPRING23&nbsp; ← 2023, Group Exhibition,&nbsp; Kunsthal Aarhus, Aarhus, DK <img width="3986" height="4982" width_o="3986" height_o="4982" data-src="https://freight.cargo.site/t/original/i/6d3f1184885a3ce94d6a1077c21d0ce06adae247892c37943cf751959f11d983/OliviaHvass_kpSPRING_Photo-MikkelKaldal-3.jpg" data-mid="244104726" border="0" src="https://freight.cargo.site/w/1000/i/6d3f1184885a3ce94d6a1077c21d0ce06adae247892c37943cf751959f11d983/OliviaHvass_kpSPRING_Photo-MikkelKaldal-3.jpg" /> In Captivity But No Longer Dead ← 2022, Solo Exhibition, Ladder Space, Copenhagen, DK <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/b1f08a4e6f29474e444730e6510f99613300281de03f2610950626126297bff2/1.jpg" data-mid="189267660" border="0" src="https://freight.cargo.site/w/1000/i/b1f08a4e6f29474e444730e6510f99613300281de03f2610950626126297bff2/1.jpg" /> Jeg finder selv ud ← 2022, Duo Exhibition w. Anna Walther, Kunsthal NORD, Aalborg, DK <img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/d36f3082663813e304b3cac0acab12e44ad456251b324b228de4c8caa00d6f67/13.jpg" data-mid="244104612" border="0" src="https://freight.cargo.site/w/1000/i/d36f3082663813e304b3cac0acab12e44ad456251b324b228de4c8caa00d6f67/13.jpg" /> BURN THE WORLD ←2021, Solo Exhibition, Archway Nightlands Connector - Jennifee See-Alternate, Copenhagen, DK <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/403e1d3c5f62540b8a1b934c83cf2dcea485f9d53a2422701da1f47ffb63d50d/OliviaHvass_BurnTheWorld_Photo-MikkelKaldal-4.jpg" data-mid="189267687" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/403e1d3c5f62540b8a1b934c83cf2dcea485f9d53a2422701da1f47ffb63d50d/OliviaHvass_BurnTheWorld_Photo-MikkelKaldal-4.jpg" /> Hot, desparate and all over the place ← 2021, BFA / Group Exhibition, KH7, Aarhus, DK <img width="4306" height="5382" width_o="4306" height_o="5382" data-src="https://freight.cargo.site/t/original/i/0912f007866e352cac91a7980d1318b28a110866b83b365d2733f3e0af92c6e4/7_Soft---Resistant_BA-Exhibition-at-KH7-Aarhus_2021.jpg" data-mid="244104557" border="0" src="https://freight.cargo.site/w/1000/i/0912f007866e352cac91a7980d1318b28a110866b83b365d2733f3e0af92c6e4/7_Soft---Resistant_BA-Exhibition-at-KH7-Aarhus_2021.jpg" /> HEY THIEF&nbsp;← 2020, Group Exhibition, Gjern, DK <img width="1709" height="1131" width_o="1709" height_o="1131" data-src="https://freight.cargo.site/t/original/i/0d8b1046426ed72f1f7433e61731e28628ab3274401f7a882ef51326f773b7a6/5_Cutie_Hey-Thief-exhibition_2020.jpg" data-mid="244104563" border="0" src="https://freight.cargo.site/w/1000/i/0d8b1046426ed72f1f7433e61731e28628ab3274401f7a882ef51326f773b7a6/5_Cutie_Hey-Thief-exhibition_2020.jpg" /> Loose Threads - Firm Hands ← 2019, Documentation <img width="1094" height="1367" width_o="1094" height_o="1367" data-src="https://freight.cargo.site/t/original/i/83d7c860f86567615c7cf0c9fa156d16a3a801dffb44facb02328e00fabd15b8/oliviavc3a6v-2-1.jpg" data-mid="244104570" border="0" src="https://freight.cargo.site/w/1000/i/83d7c860f86567615c7cf0c9fa156d16a3a801dffb44facb02328e00fabd15b8/oliviavc3a6v-2-1.jpg" /> DRAWINGS https://oliviarodehvass.com/NOW-OR-NEXT Sat, 20 Jun 2026 18:34:49 +0000 oliviarodehvass.com https://oliviarodehvass.com/NOW-OR-NEXT NOW or NEXT ⬇ Ongoing or upcoming shows&nbsp; ONGOING &nbsp; ☆ DUKE 2026 - 2027 <img width="3012" height="2000" width_o="3012" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a3f732a2be86081f4213d4112c05475c574f2795976f75224def0a4d43a968ba/maria-kjaer-og-olivia-r-hvass.jpg" data-mid="250873825" border="0" src="https://freight.cargo.site/w/1000/i/a3f732a2be86081f4213d4112c05475c574f2795976f75224def0a4d43a968ba/maria-kjaer-og-olivia-r-hvass.jpg" /> Two year mentor grant from the Danish Art Foundation Main mentor: Maria Kjær Themsen International mentors: Tuukka Laurila and Çağla Erdemir ☆ PATH OF DESIRE&nbsp; <img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/d2cc1b47436b4e77428a394cef367b435cbaa3b2c8534a1dcf9b5b88d1d40f9e/Olivia_Rode_Hvass_Skovsnogen_2026_Photos-Luna_Lund_Jensen-11.jpg" data-mid="251337974" border="0" src="https://freight.cargo.site/w/1000/i/d2cc1b47436b4e77428a394cef367b435cbaa3b2c8534a1dcf9b5b88d1d40f9e/Olivia_Rode_Hvass_Skovsnogen_2026_Photos-Luna_Lund_Jensen-11.jpg" />Deep Forest Art Land / Skovsnogen, Ikast, DKPermanent work / Sculpture ParkOpening: 15.08.2026 ☆ VÆVEDE MESTERVÆRKER <img width="5433" height="3623" width_o="5433" height_o="3623" data-src="https://freight.cargo.site/t/original/i/3a9ac505577664d9338e3bf5f3e9bc8762d0630a9d64c8e6f7c5c2a56bf1e2a5/vaevede-mesterveaerker-koldinghus-23b.jpg" data-mid="250137466" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/3a9ac505577664d9338e3bf5f3e9bc8762d0630a9d64c8e6f7c5c2a56bf1e2a5/vaevede-mesterveaerker-koldinghus-23b.jpg" /> Koldinghus, Kolding, DKGroup show 27.03.2026 - 25.10.2026 UPCOMING DECEMBER&nbsp; ☆ SCENER&nbsp; Decembristerne, Den Frie Udstillingsbygning Group show Opening 04.12.2026 05.12.2026 - 10.01.2027 &nbsp; https://oliviarodehvass.com/2026-Skovsnogen Mon, 23 Jun 2025 14:10:28 +0000 oliviarodehvass.com https://oliviarodehvass.com/2026-Skovsnogen PATH OF DESIRE (SKOVSNOGEN), DK 2026Permanent sculpture in the sculpture park “Deep Forest Art Land (Skovsnogen)” <img width="5258" height="7552" width_o="5258" height_o="7552" data-src="https://freight.cargo.site/t/original/i/4c8bd4c54aca01156ac1b252e2eead874c6eb2ed6a1426b25c60d86d64e064d6/_OML8916.jpg" data-mid="251383414" border="0" src="https://freight.cargo.site/w/1000/i/4c8bd4c54aca01156ac1b252e2eead874c6eb2ed6a1426b25c60d86d64e064d6/_OML8916.jpg" /> Path of Desire Text by Joachim Aagaard Friis&nbsp; A bus shelter stands in a small clearing in the forest – too low for adults, too big for children, erected as a small concrete structure that has fallen out of its own time. Or as if past, present, and myth had all been pressed into its layers. In the layer of the past, the story begins with the Copenhagen fire of 1728, in which large parts of the city were reduced to ashes. The fire also destroyed the rune stones that had been hauled from villages across Denmark as part of a project to centralize historical knowledge in the capital’s Rundetårn. The stones proved too heavy to be carried up the tower's spiral ramp and were left standing on the street outside instead, where they still stood when the fire reached them. Among them was the Vamdrup Stone, a medieval gravestone inscribed “Here lies Ebbe’s son.” It had left its home region but never made it into the national collection before it was lost in the fire. Ebbe’s son – already nameless at the time – was thus forgotten, just as his grave was. Had he been cast out, or was he simply not worth mentioning? An outsider, someone that people would rather forget? Olivia Rode Hvass used the story of this stone as the starting point forPath of Desire, when they took part in the exhibition The Lost Rune Stones at Rundetårn in 2025. Only the roof panel was shown at the time, as the rest of the bus shelter was too heavy for the space. The work thus repeated the movement of the Vamdrup Stone: what made the stone too big for the tower now split the work in two. The artist’s finished work also never reached Copenhagen,and only found its final form in Deep Forest Art Land, a short stretch north of Vamdrup, where the Vamdrup Stone originally stood. As if the grave of Ebbe’s unnamed son had finally found its way home. The sides of the bus shelter consist of four concrete reliefs, each portraying creatures in different compositions; together or apart, in a row holding each other’s hands, or lying close side by side, their legs intertwined in an intimate moment. A relief is neither a freestanding sculpture nor a flat image, but a form that insists on being both at once – a surface that pushes outward from, while remaining bound to, its background. It is a liminal state that thinkers throughout art history have used to understand the relationship between body and image, and it is reflected in the figures of Hvass’s work: they are neither wholly human nor wholly animal, and their expressions have an ambivalent effect on the viewer – they are at once slightly unsettling and slightly endearing, appearing friendly, caring, anxious, and tragic all at the same time. Across the four panels, the bodies repeat each other’s postures in small displacements – one curls up as another curls up; one back repeats the curve of another back. In one place, queer theorist Leo Bersani calls these recurring bodily displacements a ‘correspondence of forms’: a kinship that arises through the visual echoes bodies create between one another, independent of how they look or are related. It is a relational dynamic in which subjects connect with the outer world through shared aesthetic patterns rather than through power, domination, or appropriation. The creatures’ ambivalent affects leave it up to the visitor whether to sit in the shelter in a cozy or uneasy state – anything is possible. All that is required is a willingness to dwell on the unresolved, rather than immediately wanting to reveal or categorize what one sees or is part of. In the same unresolved way, the figures’ relational forms refer to archaic communities, but are filtered through an open, queer gaze on the patriarchal order that has historically organized them. This is a point Hvass works with throughout their artistic practice – namely, that folk tales and mythological narratives can be reworked and observed in new ways. They are far less unambiguous than posterity’s ordered and normative narratives of family, heroes, and inheritance have wanted to make them. Hvass’s figures insist on this disorder. They cannot be sorted into fixed categories – only into closeness, emotional weight, touch. This bodily closeness, which refuses to be either explicitly erotic or friendly-affectionate, can be read through what queer theorist Elizabeth Freeman calls ‘sense-methods’: bodily, non-linguistic modes of attachment that bind bodies together across time and despite the identities, languages, and kinship systems that would otherwise subordinate them. Freeman draws her own concept of being ‘beside’ from queer theorist Eve Sedgwick and her shift away from an interpretive mode grounded in the “underlying” toward one grounded in what is ‘beside’ – a spatial relation in which bodies orient themselves toward one another without being subordinated to a single center or a single interpretation. This is the relation the reliefs stage: the figures lie and lean beside one another, carrying and supporting, without any one of them becoming the center of the work or the story. Freeman finds a historical example in the eighteenth-century Shaker communities, known for radical equality, celibacy, deep pacifism, and ecstatic dance rituals, whose physical presence created forms of belonging outside marriage and reproduction. These were bodies that, in Freeman’s words, ‘had sex without having sex, engendering new kinds of subjects, bodies, and families.’ The shift from a reproductive to a non-reproductive mode of coexistence and temporality is also what the work’s figures practice: they sleep, carry, and curl together in configurations that resemble family and partnership without necessarily being either in the traditional sense. In this way, Path of Desire refuses to let the bodies of the past be organized solely around procreation, inheritance, and a forward-driving, growth-oriented temporality. The work is also marked by the present: inside the bus shelter are spray-painted tags, symbols, and classic graffiti inscriptions that could have appeared on any bus shelter in the provinces. Although the marks look like random traces left by passing forest visitors, the graffiti is an integral part of the work. Beside the shelter stands a worn bus sign of the kind familiar from the yellow buses and their routes, which are increasingly being discontinued in provincial Denmark today. The sign stirs memories of youth: trips to and from school, parties, friends, and significant others, reinforcing the impression of the bus shelter as an alternative meeting place. This gesture adds yet another layer to the work’s temporality: the staging of an interaction that has not actually taken place yet – a kind of anticipated or fictive memory pointing forward to the lived life the bus shelter might invite. By applying these graffiti traces themself, the artist pokes at our expectations of the work’s history and ownership, bringing Path of Desire into dialogue with its own past and future. The work’s title points to the unofficial paths that emerge in the landscape because someone, again and again, chooses a different route than the one laid out – created by desire, not by planning or duty. ‘The other path’ is a familiar figure in queer thought. It is understood as the alternative to the normatively “correct” path through life, walked by those who insist on going a differently way out of inner necessity. Among the many tags in the bus shelter is the name “EBBE” in screaming orange: an echo of the boy whose grave was never found. Here, the name becomes an image of the lives that could not take another path, because at the time it was either an impossibility or simply a way into the fog of loneliness and oblivion. In this way, the work writes Ebbe’s son forward into the present and into the closeness the shelter’s creatures invite – lying curled into one another in a community larger than the couple, the nuclear family, and other reproductive forms that otherwise lay claim to life’s closest relationships. Here, tenderness exists on equal footing with them – but within an excessive, branching sociality that needs no center to hold together. <img width="8045" height="5366" width_o="8045" height_o="5366" data-src="https://freight.cargo.site/t/original/i/6dfbe5b9fbc0ac0317b58d2e12ff6457da0ca280cc89d2c1286b14573800bb78/_OML9221.jpg" data-mid="251383668" border="0" src="https://freight.cargo.site/w/1000/i/6dfbe5b9fbc0ac0317b58d2e12ff6457da0ca280cc89d2c1286b14573800bb78/_OML9221.jpg" /> <img width="7538" height="5028" width_o="7538" height_o="5028" data-src="https://freight.cargo.site/t/original/i/b8a0ee1487914376044c921dba8853d48ed196d62cf1cb67c9c7ed297fa864e5/_OML8913.jpg" data-mid="251383663" border="0" src="https://freight.cargo.site/w/1000/i/b8a0ee1487914376044c921dba8853d48ed196d62cf1cb67c9c7ed297fa864e5/_OML8913.jpg" /> <img width="2117" height="1410" width_o="2117" height_o="1410" data-src="https://freight.cargo.site/t/original/i/0409ce5c7d0402181910e35b90784c2b3c894154c15c204750f3e95dada8e46c/Olivia_Rode_Hvass_Skovsnogen_2026_Photos-Luna_Lund_Jensen-9-copy.jpg" data-mid="251392528" border="0" src="https://freight.cargo.site/w/1000/i/0409ce5c7d0402181910e35b90784c2b3c894154c15c204750f3e95dada8e46c/Olivia_Rode_Hvass_Skovsnogen_2026_Photos-Luna_Lund_Jensen-9-copy.jpg" /><img width="7497" height="5000" width_o="7497" height_o="5000" data-src="https://freight.cargo.site/t/original/i/81c4003b73f1e61097e862a8313baeca9911a10c442fe3d74064fed3b4b94184/_OML8828.jpg" data-mid="251391558" border="0" src="https://freight.cargo.site/w/1000/i/81c4003b73f1e61097e862a8313baeca9911a10c442fe3d74064fed3b4b94184/_OML8828.jpg" /> <img width="5120" height="6926" width_o="5120" height_o="6926" data-src="https://freight.cargo.site/t/original/i/b6ec3eaf5b030d239ce5251122723c8e8bbd6362af1bf2cc2fe3d77292f93c39/_OML9288.jpg" data-mid="251391564" border="0" 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Juni Fonden, L. F. Foghts Fond, Hielmstierne Rosencroneske Stiftelse, Statens Kunstfond, Deep Forest Art Land and The Round Tower Credits: Curated by: Søren Taaning and René Schmidt / Kaellingstenen Artwork, idea and production: Olivia Rode Hvass&nbsp; Documentation by: Luna Lund Jensen and Deep Forest Art Land Text: Joachim Aagaard Friis&nbsp; Concrete castings by: Magnus Holm Fiberbeton Molds and 3D scan: Vestsjællands Arbejdende Kunstnerværksteder&nbsp; Producer and studio technician: Claus Hvass&nbsp; Production assistants: Jonas Rode Hvass, Johan Mondrup Hvass Bussign: Movia&nbsp; Tags: LC, Leon, Bella, Ida, Olli, Mads, Lyca&lt;3 Sparring: Maria K T, Lotte L, Uno, Birgitte Opening Hours:All days from 10:00 - 17:00 Deep Forest Art Land Sdr Ommevej 29a, 6933 Kibæk, Denmark&nbsp; <img width="6127" height="4087" width_o="6127" height_o="4087" data-src="https://freight.cargo.site/t/original/i/a2f85751faab61cb7426c89b82c85cbeba2a2700fa5eb9d679fd50b82601c195/_OML9097.jpg" data-mid="251391625" border="0" src="https://freight.cargo.site/w/1000/i/a2f85751faab61cb7426c89b82c85cbeba2a2700fa5eb9d679fd50b82601c195/_OML9097.jpg" /><img width="6371" height="4249" width_o="6371" height_o="4249" data-src="https://freight.cargo.site/t/original/i/46021341440d13c2d4a8ede6cb1869173cd239ac226558d18b36cc7be9671b92/_OML9159.jpg" data-mid="251391626" border="0" src="https://freight.cargo.site/w/1000/i/46021341440d13c2d4a8ede6cb1869173cd239ac226558d18b36cc7be9671b92/_OML9159.jpg" /> <img width="7972" height="5268" width_o="7972" height_o="5268" data-src="https://freight.cargo.site/t/original/i/b9b91879b80ba1b2c02177da69ad87c022655df056db2db6afa27dfec2d26366/_OML9106.jpg" data-mid="251392785" border="0" src="https://freight.cargo.site/w/1000/i/b9b91879b80ba1b2c02177da69ad87c022655df056db2db6afa27dfec2d26366/_OML9106.jpg" /><img width="7063" height="4711" width_o="7063" height_o="4711" data-src="https://freight.cargo.site/t/original/i/6a84b1ae2481f3aab9124079862f1676219a400d4f7a7eba24dfed904afea10f/_OML9165.jpg" data-mid="251392787" border="0" src="https://freight.cargo.site/w/1000/i/6a84b1ae2481f3aab9124079862f1676219a400d4f7a7eba24dfed904afea10f/_OML9165.jpg" /> <img width="1660" height="1999" width_o="1660" height_o="1999" data-src="https://freight.cargo.site/t/original/i/b50ac59a2b0bbc122d73c5363435862834d6098614efa6520a23918dfff75742/SKF_logo_ENG_black_RGB.jpg" data-mid="251397534" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/b50ac59a2b0bbc122d73c5363435862834d6098614efa6520a23918dfff75742/SKF_logo_ENG_black_RGB.jpg" /><img width="178" height="260" width_o="178" height_o="260" data-src="https://freight.cargo.site/t/original/i/1fe4de3b5e9e58e62620221e60cf7d7bc2e939a58e56bbf70cfcb87b6479c801/hielmstierne-logo.jpg" data-mid="251397755" border="0" data-scale="14" src="https://freight.cargo.site/w/178/i/1fe4de3b5e9e58e62620221e60cf7d7bc2e939a58e56bbf70cfcb87b6479c801/hielmstierne-logo.jpg" /> &nbsp;&nbsp;<img width="1255" height="1531" width_o="1255" height_o="1531" data-src="https://freight.cargo.site/t/original/i/e5397f06b3d6b819063fd455e90822532faf6be937b0eb4349ae945ee288835c/Rundetaarn_Logo_Primaer_Sort_Rgb.png" data-mid="251398348" border="0" data-scale="16" src="https://freight.cargo.site/w/1000/i/e5397f06b3d6b819063fd455e90822532faf6be937b0eb4349ae945ee288835c/Rundetaarn_Logo_Primaer_Sort_Rgb.png" /><img width="447" height="447" width_o="447" height_o="447" data-src="https://freight.cargo.site/t/original/i/0caabaab632af8c7126fe9e7041a6d2146263a2d0e9a9724a95e7f75ebe8ab11/DFAL-Logo.png" data-mid="251398590" border="0" data-scale="23" src="https://freight.cargo.site/w/447/i/0caabaab632af8c7126fe9e7041a6d2146263a2d0e9a9724a95e7f75ebe8ab11/DFAL-Logo.png" /> <img width="524" height="219" width_o="524" height_o="219" data-src="https://freight.cargo.site/t/original/i/944517ecd66afca971609b792ef421d1ff991739b141e02d796f67dce9bb7773/l-f-foghts-fond-logo.jpg" data-mid="251398064" border="0" data-scale="14" src="https://freight.cargo.site/w/524/i/944517ecd66afca971609b792ef421d1ff991739b141e02d796f67dce9bb7773/l-f-foghts-fond-logo.jpg" /><img width="476" height="249" width_o="476" height_o="249" data-src="https://freight.cargo.site/t/original/i/a3100898054ddfa87ce0058473038fdea231bd6fd83b3b0500c7a8c6a39ce5fc/15.-juni-fonden.png" data-mid="251397277" border="0" data-scale="18" src="https://freight.cargo.site/w/476/i/a3100898054ddfa87ce0058473038fdea231bd6fd83b3b0500c7a8c6a39ce5fc/15.-juni-fonden.png" /> https://oliviarodehvass.com/2026_3-Koldinghus Thu, 29 Jan 2026 10:59:48 +0000 oliviarodehvass.com https://oliviarodehvass.com/2026_3-Koldinghus THE ROYAL COLLECTION / KOLDINGHUS, DK27.03.2026 - 25.10.2026 <img width="5433" height="3623" width_o="5433" height_o="3623" data-src="https://freight.cargo.site/t/original/i/5f1a461bc9b82829c24eb27e4108ed23b3f4100657250b9df7d3de2f8eba11b8/vaevede-mesterveaerker-koldinghus-23b.jpg" data-mid="250137439" border="0" src="https://freight.cargo.site/w/1000/i/5f1a461bc9b82829c24eb27e4108ed23b3f4100657250b9df7d3de2f8eba11b8/vaevede-mesterveaerker-koldinghus-23b.jpg" /> Om udstillingen:&nbsp; En rejse bagud i tidFra samtidens nyeste billedvævninger til senmiddelalderens monumentale mesterværker. Undervejs undersøges værkernes særlige evne til at fortælle historier om magt, tro, identitet og hverdagsliv, og hvordan materialer, teknikker og motiver ændrer sig i samspil med samfundets udvikling. Udstillingen, der præsenterer mesterværker, der befinder sig i Danmark, udforsker billedvævningens mange roller og betydninger. Fra kostbare prestigeobjekter forbeholdt kongehus og adel til det 20. århundredes mere abstrakte, fortællende og folkelige kunstform. Helt op til i dag, hvor samtidens vævninger, tager håndværket op igen, og hvor tradition fortolkes og fornyes. Én ting forbliver den samme: tiden, håndværket og ekstravagancen, der er vævet ind i hvert eneste værk. Et kunstnerisk og håndværksmæssigt højdepunkt "Vævede mesterværker" er en hyldest til det ekstraordinære håndværk, som gobeliner og billedvævninger er. Hvert værk forudsætter ikke alene omhyggelighed og tid, men også dyb indsigt i materialer, tradition og kunstnerisk fortolkning. Det tager omkring ét år for en professionel væver at fremstille blot én kvadratmeter. Netop derfor har gobeliner og billedvævninger gennem historien været forbundet med noget af det ypperligste, mennesket har skabt. Udstillende kunstnere: Kirstine RoepstorffOlivia Rode HvassGrayson PerryNaja SaltoBjørn NørgaardRagna BraaseInge BjørnAnna ThommesenGrete BalleAsger Jorn og Pierre WemaëreJean Jacques DeyrolleHenri MatisseJoakim SkovgaardCarl LarssonFrançois BoucherCharles Le Brun Martin Erik Andersen Derudover vises sjældent sete værker fra Den Kongelige Samlings egne samlinger: herunder dele af de persiske tapeter, et fornemt kroningstæppe og et af de berømte Rosenborgtapeter. Mod slutningen af udstillingen vises et af de imponerende Kronborgtapeter samt det enestående såkaldte Dommertæppe fra senmiddelalderen - begge fornemme indlån fra museer i Danmark. https://oliviarodehvass.com/2026_3-MUSEET-FOR-SAMTIDSKUNST Thu, 22 Jan 2026 14:21:06 +0000 oliviarodehvass.com https://oliviarodehvass.com/2026_3-MUSEET-FOR-SAMTIDSKUNST ET STJERNEHUS UDEN SOL - MUSEET FOR SAMTIDSKUNST, DK 15th of March - 7th of June 2026 <img width="6006" height="7549" width_o="6006" height_o="7549" data-src="https://freight.cargo.site/t/original/i/81eaa1d96dc3f04355a4fcc5a9b70f96a565a951aedc353a850ec80fff244f63/ETAAF51-copy1.jpg" data-mid="246414449" border="0" src="https://freight.cargo.site/w/1000/i/81eaa1d96dc3f04355a4fcc5a9b70f96a565a951aedc353a850ec80fff244f63/ETAAF51-copy1.jpg" /> Photographer David Stjernholm 15.03.2026 - 07.06.2026 - As part of the group show “Et stjernehus uden sol” Museet for Samtidskunst “She Listen’s but She Can’t Speak” Værktekst skrevet af Lotte Løvholm, Olivia Rode Hvass og Alex-Alice Topsøe Jensen Placeret på søen foran Kurhuset har Olivia Rode Hvass skabt She listens but she can't speak. Et sivhus, som fra en svunden tid, omgiver en gullig puppe. Huset med puppen flyder rundt på søen som et surreelt drømmebillede. Det er et monument til Rode Hvass’ ven og kunstnerkollega Alice. Alice blev for 3 år siden meget syg, og har ikke været udenfor siden. Hun har i perioder ikke kunnet tale, og har det sidste halve år været indlagt i psykiatrien. På grund af de manglende ord, har Alice og Olivia kommunikeret ved hjælp af skrift, tegning og hænder, der holder i hænder. Under et besøg tegnede Rode Hvass en puppe til Alice, som hun kan gemme sig i, indtil hun får det bedre. Et billede på den stille transformation. Ideen til værket udsprang af denne tegning. Puppen inde i huset kan skimtes gennem vinduet og døren, hvor Rode Hvass har beholdt sivenes blomster for at give huset en pelset og blød fornemmelse blandt de stive strå. Puppen er lavet af byggeskum, som normalt bruges til isolation i huse gemt bag vægge og loftsbrædder ligger det gule materiale, sammen med insekterne. Inspireret af vegetationen omkring søen og stranden på Sankt Hans har Rode Hvass anvendt strå til at bygge huset med, som dem, der findes i vandkanten. Sivene er særligt egnede til at bygge med i vådområder, da de ikke rådner, når først de er visne. Huset peger ud i fremtiden, hvor oversvømmelser vil definere byggemetoder og materialer - og ser tilbage til tidligere tider, hvor man i hele verden har anvendt sivene til at bygge alt fra danske stråtage, sydamerikanske sivbåde, til de smukke flydende stråhuse-øer af Ma’dan folket i Irak. Som det eneste værk i udstillingen, der kan ses på alle tider af døgnet udenfor, udvikler værket sig over tid og påvirkes af vind og vejr. I sin praksis bearbejder Rode Hvass ofte ensomhed og magtkritik og belyser vigtigheden af omsorgsfulde fællesskaber, som har svære vilkår i vores travle individualiserede kultur. Ikke alle Alicer har en Olivia. Og puppen er således dedikeret til alle, der lige nu gemmer sig i mørket. Kreditering: Værket er inspireret af og dedikeret til min kære ven Alice-Alex Topsøe Jensen Studio tekniker: Claus Hvass Assistance: Gunvor Lisborg, Anton Mondrup Larsen, Jonas Rode Hvass, Sarah Mondrup Tækkerrør: Carlo F Christensen Sparring: Claus Hvass, Uno Rose, Rolf Nowotny, Lotte Løvholm<img width="6336" height="8916" width_o="6336" height_o="8916" data-src="https://freight.cargo.site/t/original/i/32e165d3a39dcbd74c70f94f5651cf9aa7f1923ea67911464e6070340fce19c4/ETAAF51-copy.jpg" data-mid="247011705" border="0" src="https://freight.cargo.site/w/1000/i/32e165d3a39dcbd74c70f94f5651cf9aa7f1923ea67911464e6070340fce19c4/ETAAF51-copy.jpg" /><img width="8837" height="6208" width_o="8837" height_o="6208" data-src="https://freight.cargo.site/t/original/i/17510de5efd288eb788e932685b8d8a2e3ae6828615e1665f0e3ba4ee0f6c236/ET0535_1-1.jpg" data-mid="247011710" border="0" src="https://freight.cargo.site/w/1000/i/17510de5efd288eb788e932685b8d8a2e3ae6828615e1665f0e3ba4ee0f6c236/ET0535_1-1.jpg" /> <img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/44fc178852bb6058f5e24b7579c4e56ccdb0cda6b151c7f1dc8b35796d6ab3ca/_Z6A6299-copy.jpg" data-mid="247011711" border="0" src="https://freight.cargo.site/w/1000/i/44fc178852bb6058f5e24b7579c4e56ccdb0cda6b151c7f1dc8b35796d6ab3ca/_Z6A6299-copy.jpg" /><img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/abffb70586aab7f4bd7460dcf7ef3f5f725722ab15100938e2a19581a233d369/_Z6A6221-2-copy.jpg" data-mid="247011714" border="0" src="https://freight.cargo.site/w/1000/i/abffb70586aab7f4bd7460dcf7ef3f5f725722ab15100938e2a19581a233d369/_Z6A6221-2-copy.jpg" /> <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/2c359bc089d885a3852692925ab33b41e53f83e2d00d2085c9230c9097dd56c0/_Z6A6021-copy.jpg" data-mid="247011715" border="0" src="https://freight.cargo.site/w/1000/i/2c359bc089d885a3852692925ab33b41e53f83e2d00d2085c9230c9097dd56c0/_Z6A6021-copy.jpg" /><img width="9085" height="6251" width_o="9085" height_o="6251" data-src="https://freight.cargo.site/t/original/i/70b4402ccadab7e2c922252b0988a3f612649bf41e746d0172a21c8855031271/ETDF1A_1-1.jpg" data-mid="247011716" border="0" src="https://freight.cargo.site/w/1000/i/70b4402ccadab7e2c922252b0988a3f612649bf41e746d0172a21c8855031271/ETDF1A_1-1.jpg" /> Photographer&nbsp; Nicola Helin &amp; David Stjernholm Pressemeddelelse: Et stjernehus uden sol – mød magisk tænkning i ny gruppeudstilling på Sankt Hans I mødet mellem mentalt helbred og samtidskunst præsenter Museet for Samtidskunst Roskilde sin fjerde udstilling på Sankt Hans med en omfattende gruppeudstilling, der viser nye og eksisterende værker af blandt andre Ana Mendieta, Melanie Kitti og Liz Magic Lazer. Et stjernehus uden sol præsenterer værker, hvor magi, myter og svære livsomstændigheder væves ind i hverdagsfortællinger. Udstillingen undersøger forholdet mellem traumer og magisk tænkning. Udstillingen markerer også afslutningen af museets arbejde på Sankt Hans, hvor museet har fordybet sig i emner om mental sundhed og omsorg gennem de seneste tre år. Mellem ritual og realitet – mød kunsten i mørketUdstillingens titel referer til en sætning fra bogen Halvt Urne, Halvt Gral (2022) af Melanie Kitti: ”Jeg er født i et stjernehus uden sol”. Bogen bevæger sig mellem alvor og magi, mellem det fysiske, urnen og det hellige, gralen og er en lang bevægelse af billeder og stemninger, der rummer væmmelse og død, betagelse og undren. Halvt Urne, Halvt Gral præsenteres i udstillingen i en ny og filmatiseret udgave udviklet i samarbejde mellem Kitti, Nynne Roberta Pedersen Pedersen og Lasse b. Ondesen i de forladte bygninger i den tidligere psykiatri på Sankt Hans. Til udstillingen produceres nye værker af Olivia Rode Hvass, der arbejder med mytologiske billeder, depressive tilstande og ungdomskultur, Karin Hald, der til udstillingen arbejder med heksefiguren og med Sct. Hans Kapels historie, og Sidsel Ana Welden Gajardo skaber forbindelser mellem kobber, psykisk sygdom og sin fars indlæggelse på Sct. Hans. Tamar Ettun præsenterer sit arbejde med dæmonen lillith i en serie af værker i skulptur, tegning, tekst, performance, tekstil og video, hvor hun siden 2019 tager udgangspunkt i myten om lilith samt tusind år gamle traditioner for behandling af traumer. Mange af udstillingens kunstnere arbejder i deres kunstneriske virke både som forfattere og billedkunstnere, og bruger billeder og tekst til at indkapsle og belyse svære følelser. Derudover præsenterer udstillingen værker af Ana Mendieta og Liz Magic Lazer. ”Udstillingen peger på kunstens evne til at give sprog til og bearbejde svære følelser” udtaler kurator Lotte Løvholm og forsætter ”udstillingen er et hjem i halvmørke, uden dagslys, med nattehimlen som lyskilde. Værkerne lyser mørket op, krænger det, samles om det. Fra mørket kan nye billeder opstå og måske kan disse billeder hjælpe os med at forstå og ændre de vilkår, som ligger til grund for alt det svære”. Kunstnere i udstillingenAna Mendieta, Olivia Rode Hvass, Karin Hald, Sidsel Ana Welden Gajardo, Melanie Kitti, Nynne Roberta Pedersen Pedersen, Lasse B. Ondesen, Tamar Ettun og Liz Magic Lazer. Fernisering: Søndag d. 15. marts, 2026. Fra kl. 14. Det er gratis at deltage.Udstillingsperiode: 15. marts - 7. juni, 2026. Gå på opdagelse i udstillingen og find flere informationer om events og aktiviteter her. Museet for Samtidskunst Roskilde blev oprettet i 1991 i kølvandet på Fluxusfestivalen Festival of Fantastics, der fandt sted i Roskilde i 1985. Museet har gennem tiden støttet og indsamlet den eksperimenterende kunst fra 1960 og frem til i dag med fokus på tidsbaserede kunstformer som f.eks. performance, lyd og video. Museet rykkede ud af Det Gule Palæ i 2021 og er i dag Danmarks eneste kunstmuseum uden en fast bygning. Målsætningen er at skabe et tilgængeligt, engageret og foranderligt museum, der udforsker nye måder at formidle samtidskunsten på. Udstillingen er støttet af Ny Carlsbergfondet, Aage og Johanne Louis-Hansens Fond, Statens Kunstfond og Det Obelske Familiefond. <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/880db89c7ac7a5f1c97305f0c9376af357022fd371068aa139dfb38bac0fca42/Unknown.jpg" data-mid="243805305" border="0" src="https://freight.cargo.site/w/1000/i/880db89c7ac7a5f1c97305f0c9376af357022fd371068aa139dfb38bac0fca42/Unknown.jpg" /> Foto fra besøg ved Carlo F. Christensen, tækkerfirma og leverandør til værket “She listens but she can’t speak” af Olivia Rode Hvass, produceret til udstillingen “Et stjernehus uden sol” 2026. https://oliviarodehvass.com/Til-A Sat, 20 Jun 2026 18:11:04 +0000 oliviarodehvass.com https://oliviarodehvass.com/Til-A Til A&nbsp; Hej sødeste ven,&nbsp; Her kan du høre Mija Milovics lydværk &lt;3&nbsp; https://soundcloud.com/olivia-rode-hvass/i-wish-i-could-tell-you/ Jeg kommer også til at uploade de andre ting herinde, billeder osv! Og filmen af det brændende hus&nbsp; Elsker dig x&nbsp; Knus fra O <img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/2b190e709e06a87d0bf6cad8c75b81de67baca5273e9c319786cd913a31f547d/720761199_1603152858477715_5789739675426228845_n.jpg" data-mid="249660208" border="0" src="https://freight.cargo.site/w/1000/i/2b190e709e06a87d0bf6cad8c75b81de67baca5273e9c319786cd913a31f547d/720761199_1603152858477715_5789739675426228845_n.jpg" /> https://oliviarodehvass.com/2026-2027-DUKE Sat, 13 Dec 2025 21:12:58 +0000 oliviarodehvass.com https://oliviarodehvass.com/2026-2027-DUKE DUKE 2026 - 2027&nbsp; <img width="2856" height="2142" width_o="2856" height_o="2142" data-src="https://freight.cargo.site/t/original/i/0aedd291606f42441082e1f00d3c55bf16cb1caa147b5be0d8adf84d44e1b1b1/SKF_siv.jpg" data-mid="241781763" border="0" src="https://freight.cargo.site/w/1000/i/0aedd291606f42441082e1f00d3c55bf16cb1caa147b5be0d8adf84d44e1b1b1/SKF_siv.jpg" /> DUKE 2026-2027 Jury Statement &nbsp; Olivia Rode Hvass leger med strukturerne gennem ekspressive væverier og installationer. De knytter popkultur og folkloristik, tegneserieuniverser og samtidsfigurer sammen i rumlige konstellationer. Deres praksis er normkritisk, men moraliserer ikke – den byder os et sanseligt nærvær, der peger på vores menneskelighed. Igennem sit DUKE-forløb vil de opnå nye vævefærdigheder og udvide sin praksis med beton, musik og scenografi i nye værker med rådgivning fra konsulent Maria Kjær Themsen. Deres praksis er i rivende udvikling, men er samtidig klar til et internationalt fremstød med særligt fokus på Mellemeuropa og Seoul. <img width="641" height="775" width_o="641" height_o="775" data-src="https://freight.cargo.site/t/original/i/152fbe61129a1df3c290380e7e45df5057c46d2e24db65eb6e1e57140c109943/Magnus-Hove.png" data-mid="241787855" border="0" data-scale="39" src="https://freight.cargo.site/w/641/i/152fbe61129a1df3c290380e7e45df5057c46d2e24db65eb6e1e57140c109943/Magnus-Hove.png" /> <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3e318580c1703b72b0685b08da45d7f48b170e05510427ddd06caefad018d3e5/maria-kjaer.jpg" data-mid="241787862" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/3e318580c1703b72b0685b08da45d7f48b170e05510427ddd06caefad018d3e5/maria-kjaer.jpg" /> Olivia Rode Hvass &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Maria Kjær Themsen fra Statens Kunstfonds egen hjemmeside: Statens Kunstfond har igen i år udvalgt en række kunstnere på tværs af alle kunstområder, som nu bliver en del af karriereprogrammet ‘Den Unge Kunstneriske Elite’ (DUKE). 24. november 2025 Karriereprogrammet har til formål at hjælpe unge talenter med at udvikle deres kunstneriske virke og fremme deres karriere nationalt og internationalt. De 13 kunstnere, der fordeler sig inden for musik, scenekunst, billedkunst, litteratur, film, arkitektur samt kunsthåndværk og design, bliver en del af det to-årige kunstneriske udviklingsprogram. Om uddelingen Karriereprogrammet ’Den Unge Kunstneriske Elite’ gik i luften i 2018 og har til formål at hjælpe unge fremadstormende kunstnere med at få foden indenfor på den danske og internationale scene. Hver af de udvalgte kunstnere har sammen med en selvvalgt, erfaren konsulent udtænkt et skræddersyet toårigt karriereforløb, der skal sætte fart i deres karriere både nationalt og internationalt. Med karriereprogrammerne får de ekstra mulighed for at fordybe sig i arbejdet med deres kunstneriske udtryk gennem bl.a. mentorforløb, residencies og samarbejder med andre internationale kunstnere. https://oliviarodehvass.com/2025-Luxembourg-CAPSULES Thu, 23 Oct 2025 15:32:27 +0000 oliviarodehvass.com https://oliviarodehvass.com/2025-Luxembourg-CAPSULES HUNT(ED) 2025, Solo Exhibition, Capsules at Luxembourg Art Week, Luxembourg, LX <img width="2363" height="3543" width_o="2363" height_o="3543" data-src="https://freight.cargo.site/t/original/i/e99d589b17725086faa0867240dc53bfa20f79e980d77b7b4e9d3d6f411bd4d8/OliviaRodeHvassPattyNeu-6315.jpg" data-mid="240435568" border="0" src="https://freight.cargo.site/w/1000/i/e99d589b17725086faa0867240dc53bfa20f79e980d77b7b4e9d3d6f411bd4d8/OliviaRodeHvassPattyNeu-6315.jpg" /> Installation by&nbsp;Olivia Rode Hvass&nbsp; curated by Çağla ErdemirExhibition text (Çağla Erdemir): HUNT(ED) presents a series of digitally woven landscapes where myth and memory intertwine with reflections on power and conquest. More than mere tools, the looms in Olivia Rode Hvass’ works become narrative devices – threading together stories of care, resistance, and interconnectedness in a fragmented world. At their core lies a pressing question: In times of crisis, when caring communities are both vital and vulnerable, how can we resist apathy and isolation within an individualised, production-driven society? Central to the installation is the figure of the horse – once a unicorn. Inspired by the 16th-century tapestry cycle La Chasse à la licorne, in which a mythical creature is hunted and caged, Hvass revisits the image of the unicorn as a symbol of categorisation and control. Historically, the unicorn has stood for the magical, the Other, the untameable – only to be later weaponised to represent desire subdued and difference regulated. Where the original cycle glorifies capture, Hvass exposes its underlying narratives of domination. In her reinterpretation, the lush hunting grounds lie desolate, covered in brittle hay; the once-mythic unicorn has shed its horn and returned as a grounded horse. Yet it remains tethered, trapped within symbolic structures and subjected to forces of containment. Opposite the horse stands another figure: the scarecrow, a silent sentinel in the fields of memory. At once guardian and warning, the scarecrow embodies social institutions designed to protect and regulate systems of care that exclude even as they include. It becomes a haunting monument to the ambivalence of authority and support. Hvass’s Jacquard tapestries draw on both historical and mythical narratives to expose the mechanisms through which the Other – particularly queer and marginalised bodies – is abstracted into type, rendered object, and disciplined by systemic power. Her works reveal how these bodies do not emerge as equals, but as subjects policed, classified, and consumed by state institutions, social norms, and cultural imaginaries.Equally striking is their emotionally immediate visual language – one that merges pop-cultural iconography, queer aesthetics, and youth culture with historical references. This tension between critique and affect produces an oscillation between the whimsical and the profound, between My Little Pony and medieval hunting scenes. The rough straw fringes, flower petals and hay evoke both rural landscapes and dreamlike fantasy. This imaginary draws from comic aesthetics and children’s book illustrations, recalling the intimacy of a teenager’s bedroom: adorned with horse posters, full of longing and projection. Like those youthful drawings, Hvass’s horse becomes a figure in search of kinship. Cuteness aestheticises powerlessness. Toys and plush animals become icons of an infantilising visual economy. In HUNT(ED), the depiction of the unicorn’s capture – its sweetness and fragility – awakens protective impulses. These affective responses reposition the viewer: no longer aligned with the systems embodied by the scarecrow, but with the hunted. Even as we acknowledge our complicity in systems of control, Olivia Rode Hvass’s work ultimately invites a shift in perspective. Through empathy and attunement, we are drawn toward figures that resist domestication and categorisation – toward the untamed, the system-breaking, the Other. Her work reminds us that care, if it is to be liberatory, must begin with an unflinching reckoning with power. Curated by Çağla Erdemir. Duo interview of Olivia Rode Hvass and Miriam Schmidtke, Capsules 2025 by Livia Klein <img width="3668" height="5500" width_o="3668" height_o="5500" data-src="https://freight.cargo.site/t/original/i/5bf995fa2bca0bb475a307e980009204ca05d51a4176e76d8bf54b2cb2179d6e/Olivia-Rode-Hvass--HUNTED--Art-Walk--Luxembourg-Art-Week-2025--Sophie-Margue2-.jpg" data-mid="239795238" border="0" src="https://freight.cargo.site/w/1000/i/5bf995fa2bca0bb475a307e980009204ca05d51a4176e76d8bf54b2cb2179d6e/Olivia-Rode-Hvass--HUNTED--Art-Walk--Luxembourg-Art-Week-2025--Sophie-Margue2-.jpg" /><img width="3543" height="2363" width_o="3543" height_o="2363" data-src="https://freight.cargo.site/t/original/i/3f34d27524bb4798fb311fea8d38b8b9bc4805e364f23e86a646929e5092ca98/OliviaRodeHvassPattyNeu-7688.jpg" data-mid="240435516" border="0" src="https://freight.cargo.site/w/1000/i/3f34d27524bb4798fb311fea8d38b8b9bc4805e364f23e86a646929e5092ca98/OliviaRodeHvassPattyNeu-7688.jpg" /> <img width="3668" height="5500" 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data-src="https://freight.cargo.site/t/original/i/bc87642a966125df731e718f17849dd433025ae8f77714392d93ec931ebc86bd/OliviaRodeHvassPattyNeu-6329.jpg" data-mid="240435500" border="0" src="https://freight.cargo.site/w/1000/i/bc87642a966125df731e718f17849dd433025ae8f77714392d93ec931ebc86bd/OliviaRodeHvassPattyNeu-6329.jpg" /> <img width="3543" height="2363" width_o="3543" height_o="2363" data-src="https://freight.cargo.site/t/original/i/7c8a4a8472b7ff7e7877c61b595559a0b11a6ddffb7e75f608d0bef6d86b1249/OliviaRodeHvassPattyNeu-6356.jpg" data-mid="240435556" border="0" src="https://freight.cargo.site/w/1000/i/7c8a4a8472b7ff7e7877c61b595559a0b11a6ddffb7e75f608d0bef6d86b1249/OliviaRodeHvassPattyNeu-6356.jpg" /> <img width="2363" height="3543" width_o="2363" height_o="3543" data-src="https://freight.cargo.site/t/original/i/d0d068c16510bd8369775d762b3f509a89fa868611d2b5b63bd46755d37a18df/OliviaRodeHvassPattyNeu-6385.jpg" data-mid="240435557" border="0" src="https://freight.cargo.site/w/1000/i/d0d068c16510bd8369775d762b3f509a89fa868611d2b5b63bd46755d37a18df/OliviaRodeHvassPattyNeu-6385.jpg" /> <img width="3543" height="2363" width_o="3543" height_o="2363" data-src="https://freight.cargo.site/t/original/i/f3749e0e79a60b47fb078166d3541c2c355a25e220dd8f240091d9c8aa23ee27/OliviaRodeHvassPattyNeu-6522.jpg" data-mid="240435503" border="0" src="https://freight.cargo.site/w/1000/i/f3749e0e79a60b47fb078166d3541c2c355a25e220dd8f240091d9c8aa23ee27/OliviaRodeHvassPattyNeu-6522.jpg" /> <img width="3543" height="2363" width_o="3543" height_o="2363" data-src="https://freight.cargo.site/t/original/i/8876aee7544202830879396fd56da23ebf4e39cd69eceb5e7f192375681e22d5/OliviaRodeHvassPattyNeu-6555.jpg" data-mid="240435451" border="0" src="https://freight.cargo.site/w/1000/i/8876aee7544202830879396fd56da23ebf4e39cd69eceb5e7f192375681e22d5/OliviaRodeHvassPattyNeu-6555.jpg" /> LocationCentre Neuberg,7, pl. du Théâtre, L-2613 LuxembourgArt Walk Challenge Photos by Sophie Margue and Patty Neu With Capsules, Luxembourg Art Week takes over vacant spaces, store windows, and façades in the city center. Each activated space will be visible from the street around the clock. https://oliviarodehvass.com/2025_SLUG-_-LEIPZIG Mon, 06 Oct 2025 11:17:59 +0000 oliviarodehvass.com https://oliviarodehvass.com/2025_SLUG-_-LEIPZIG SLUG, DK 2025, Group Exhbition, SLUG, Leipzig, DE <img width="5985" height="3990" width_o="5985" height_o="3990" data-src="https://freight.cargo.site/t/original/i/caa4d3c5c3018e4e3f1e4a9947e285a6959928367a7fe6a1b56d8af5f8674ba8/Dead-Dogs-Don-t-Die-SLUG-7732-HDR---Moritz-Richter.jpg" data-mid="239979900" border="0" src="https://freight.cargo.site/w/1000/i/caa4d3c5c3018e4e3f1e4a9947e285a6959928367a7fe6a1b56d8af5f8674ba8/Dead-Dogs-Don-t-Die-SLUG-7732-HDR---Moritz-Richter.jpg" /> Exhibition text (Colette Patterson): DEAD DOGS DON’T DIE Dead Dogs Don’t Die explores death, grief, and tenderness through personal and societal mythologies. Here, grief is not a passive state but an active, transformative force—one that resists linear narratives of loss and healing. Instead, it lingers, mutates, and entwines itself with memory and desire. <img width="3600" height="5400" width_o="3600" height_o="5400" data-src="https://freight.cargo.site/t/original/i/02d4eb2cdb0ddffc8866b83447976e13c4f523e04094a9ce649d5d61b0294121/Dead-Dogs-Don-t-Die-SLUG-8088---Moritz-Richter.jpg" data-mid="239981029" border="0" src="https://freight.cargo.site/w/1000/i/02d4eb2cdb0ddffc8866b83447976e13c4f523e04094a9ce649d5d61b0294121/Dead-Dogs-Don-t-Die-SLUG-8088---Moritz-Richter.jpg" /><img width="5982" height="3988" width_o="5982" height_o="3988" data-src="https://freight.cargo.site/t/original/i/d203274b63984b81f2dd920f13f5c78916babeee9f672d4f0e6abc2fa7df8cd7/Dead-Dogs-Don-t-Die-SLUG-7720-HDR---Moritz-Richter.jpg" data-mid="239980957" border="0" src="https://freight.cargo.site/w/1000/i/d203274b63984b81f2dd920f13f5c78916babeee9f672d4f0e6abc2fa7df8cd7/Dead-Dogs-Don-t-Die-SLUG-7720-HDR---Moritz-Richter.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b582cc7561a98e3c3c87d7520382aac07ceec1f52d10ae00a305782b6a1a5fe2/Dead-Dogs-Don-t-Die-SLUG-7972---Moritz-Richter.jpg" data-mid="240014267" border="0" src="https://freight.cargo.site/w/1000/i/b582cc7561a98e3c3c87d7520382aac07ceec1f52d10ae00a305782b6a1a5fe2/Dead-Dogs-Don-t-Die-SLUG-7972---Moritz-Richter.jpg" /> <img width="5985" height="3990" width_o="5985" height_o="3990" data-src="https://freight.cargo.site/t/original/i/0d1d2c1e607f0ae39fe4e493e4ebfa31d5ca48a72bb588fe3148db99e12a1cf3/Dead-Dogs-Don-t-Die-SLUG-7877-HDR---Moritz-Richter.jpg" data-mid="239980165" border="0" src="https://freight.cargo.site/w/1000/i/0d1d2c1e607f0ae39fe4e493e4ebfa31d5ca48a72bb588fe3148db99e12a1cf3/Dead-Dogs-Don-t-Die-SLUG-7877-HDR---Moritz-Richter.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/0518d5c7d1343aabc1bd2878af96b8ad97ac148cf55f9b9cb4de6457090dfc07/Dead-Dogs-Don-t-Die-SLUG-8195---Moritz-Richter.jpg" data-mid="239979914" border="0" src="https://freight.cargo.site/w/1000/i/0518d5c7d1343aabc1bd2878af96b8ad97ac148cf55f9b9cb4de6457090dfc07/Dead-Dogs-Don-t-Die-SLUG-8195---Moritz-Richter.jpg" /> <img width="5988" height="3992" width_o="5988" height_o="3992" data-src="https://freight.cargo.site/t/original/i/7f4710560df12ce489d2ac6b8135af5d27d43ada3c52ea9e1f79ed641aad1baa/Dead-Dogs-Don-t-Die-SLUG-7886-HDR---Moritz-Richter.jpg" data-mid="240014269" border="0" src="https://freight.cargo.site/w/1000/i/7f4710560df12ce489d2ac6b8135af5d27d43ada3c52ea9e1f79ed641aad1baa/Dead-Dogs-Don-t-Die-SLUG-7886-HDR---Moritz-Richter.jpg" /> <img width="5768" height="3845" width_o="5768" height_o="3845" data-src="https://freight.cargo.site/t/original/i/7e16c4bb82dfeef3115ca89d613f42b3ecbd0195f2441ce342e88ea04834a11d/Dead-Dogs-Don-t-Die-SLUG-8185---Moritz-Richter.jpg" data-mid="239980866" border="0" src="https://freight.cargo.site/w/1000/i/7e16c4bb82dfeef3115ca89d613f42b3ecbd0195f2441ce342e88ea04834a11d/Dead-Dogs-Don-t-Die-SLUG-8185---Moritz-Richter.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2ad90edd4f87481f8ca5b4f1163b5c656db92c0b04cbe274ff2ffda7dd60caf0/Dead-Dogs-Don-t-Die-SLUG-7975---Moritz-Richter.jpg" data-mid="239980486" border="0" src="https://freight.cargo.site/w/1000/i/2ad90edd4f87481f8ca5b4f1163b5c656db92c0b04cbe274ff2ffda7dd60caf0/Dead-Dogs-Don-t-Die-SLUG-7975---Moritz-Richter.jpg" /><img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/ce0a9bb13150b978bd3afbcf7b82b8e62d8f0ff4fd77043efb0d3d57e9afa099/Dead-Dogs-Don-t-Die-SLUG-8069---Moritz-Richter.jpg" data-mid="239980388" border="0" src="https://freight.cargo.site/w/1000/i/ce0a9bb13150b978bd3afbcf7b82b8e62d8f0ff4fd77043efb0d3d57e9afa099/Dead-Dogs-Don-t-Die-SLUG-8069---Moritz-Richter.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b99aacdab2a59eaf1c6ebf9616f6e8ae2d88e0a97ed011c894f63560b6f9f81a/IMAGE-2025-10-27-11_09_26.jpg" data-mid="239980402" border="0" src="https://freight.cargo.site/w/1000/i/b99aacdab2a59eaf1c6ebf9616f6e8ae2d88e0a97ed011c894f63560b6f9f81a/IMAGE-2025-10-27-11_09_26.jpg" /> <img width="5835" height="3890" width_o="5835" height_o="3890" data-src="https://freight.cargo.site/t/original/i/724ac229bc0980b47c3778cba7fb3d14374b123be0a723d421b058e65d9f6c0c/Dead-Dogs-Don-t-Die-SLUG-7672-HDR---Moritz-Richter.jpg" data-mid="239980252" border="0" src="https://freight.cargo.site/w/1000/i/724ac229bc0980b47c3778cba7fb3d14374b123be0a723d421b058e65d9f6c0c/Dead-Dogs-Don-t-Die-SLUG-7672-HDR---Moritz-Richter.jpg" /><img width="5988" height="3992" width_o="5988" height_o="3992" data-src="https://freight.cargo.site/t/original/i/73a0ad1b47b3a4fdf93a5286146434c728349fe5bebfc56e37efe9e177cb998d/Dead-Dogs-Don-t-Die-SLUG-7684-HDR---Moritz-Richter.jpg" data-mid="239980229" border="0" src="https://freight.cargo.site/w/1000/i/73a0ad1b47b3a4fdf93a5286146434c728349fe5bebfc56e37efe9e177cb998d/Dead-Dogs-Don-t-Die-SLUG-7684-HDR---Moritz-Richter.jpg" />Documentation by: Moritz Ritcher <img width="2160" height="2700" width_o="2160" height_o="2700" data-src="https://freight.cargo.site/t/original/i/c005335eaa709ed3fc5e9fe49be4b5ad23fbe506e075bdd52644e3ec7076db01/Duo-Post-Final-Edit-21.png" data-mid="239067378" border="0" src="https://freight.cargo.site/w/1000/i/c005335eaa709ed3fc5e9fe49be4b5ad23fbe506e075bdd52644e3ec7076db01/Duo-Post-Final-Edit-21.png" /> Exhibited artist:&nbsp; Hanna Antonsson&nbsp; Jan Baszak&nbsp; Yutaro Inagaki &nbsp; Martin Maeller &nbsp; Olivia Rode Hvass &nbsp; Anna Soz &nbsp; Juli Winterstein &nbsp; Curated by Colette Patterson &nbsp; Graphics by Paul Werner &nbsp; Funded by Kulturamt Leipzig&nbsp; Adress: SLUG Eisenbahnstraße 504315 Leipzig Opening Hours: Open Sat 4-7pm, + by appointment.https://www.sluggg.space/welome